Rosalind Carlson OAM
CDs and Scores are available for viewing on line at the Australian Music Centre, including the above work. Follow the link below for a complete listing of works available by Rosalind Carlson. Australian Music Centre
CD Cover Art
CDs and Scores are available for viewing at the Australian Music Centre, including the above work. Follow the links below for a complete listing of works available by Rosalind Carlson.
Flexi-Fingers Australian Music Centre
Whales, Waves & the Ocean for cello and piano Chamber Music / Instrumental Music - cello and piano "Whales, Waves & the Ocean", for cello and piano - 2008
I composed at the time when whaling in the Southern Australian waters by the Japanese was a politically dramatic and controversial issue. Great drama took place on the ocean between Australia and the Japanese at the site of the Japanese whaling activity. Such events stimulated me into action. Previously in 1998 I experienced whale watching by boat, during a visit to Hervey Bay - North Queensland. Here I saw at close range Humpback whales and their calves, in the protection of the bay. During that time I considered the cello to be the most suitable orchestral instrument to represent whales, for a future musical composition. In "Whales, Waves & the Ocean" I have endeavoured to capture in sound the breaching and the swimming movements of the whales, as they glide throughout the rolling waves in the deep oceanic seas. In the bay, these huge awesome yet friendly and inquisitive creatures would swim up to our boat; spray water through their blowholes or breathing valve; circle the boat; dive under the boat, communicating by singing vocally deep hollow and high intoning sounds. These sounds seemed to reverberate and echo through the water sound waves. The Humpback has a wide frequency range, and can produce many sounds. The whales as they came close to the boat would eye-ball us, as another method of communication. They were so friendly and gentle. It was a fantastic experience! From the outset, the cello represents the various physical swimming actions of the whales as breaching, gliding, rolling. Although the work is set in E minor, I have included a variety of modulations and harmonic colourings. These add to the evocative nature of this descriptive music. The contrasting Allegro con energia introduces a playfulness, first by the piano in A minor, followed by the cello. There is much chromaticism here in this section. The music is suggestive of the dolphins. Many dolphins were swimming with the whales. These dolphins actively played around the whales by leaping through the air, diving at a fast speed and skimming over and through the water. They were having such fun! When the whale theme returns it is further developed musically. Here the intermittent pp lontano piano adds a spaciousness and distance dimensions to the music. Eventually the opening figure returns bringing the work to its end. In general, the piano's role is kept to high pitched chords which include at times chromatic harmony. This complements in style, the low freely flowing cello part. So, I have endeavoured to capture in sound my Hervey Bay experience. Rosalind Carlson 2008 Live Performances World Premiere Performance - given by David Pereira in his Cello Series 2009 on 31 January and 1 February 2009. This was held at the Wesley Music Centre, Canberra. The pianist was Timothy Young, from Melbourne. The work was brilliantly performed by the artists, and most enthusiastically received by the audiences at these recitals. At the Regional Conservatorium of Music, Orange NSW Australia, the professional staff gave a performance in their Grapevine Series on 25th Septemeber 2009. The artists were: Sarah Matthews, Cello, and Meriel Owen, Piano. The audience responded excitingly to the descriptiveness of this work. At the Celebration of International Women's Day held in the Ron Lander Centre Waverley Library Theatrette in Sydney. In concert, Rachel Scott, cello, Rachel Valler OAM, piano, gave the Whales Waves & the Ocean a performance on the 7th March 2010. The audience really enjoyed hearing this composition.